Powder Blue & Rose Banarasi Silk Pillow

It's a handwoven pure-silk cushion patterned in the Tanchoi technique, where the design is built from multiple coloured silk threads woven into a smooth satin ground — not printed on. The result is a fine, lightweight, lustrous cloth with a remarkably clean finish and a subtle play of colour. It's a refined, tactile piece with a real weaving tradition behind it that brings quiet luxury to a sofa, bed, or chair.

Pure silk. Silk gives Tanchoi its satin sheen, fine drape, and smooth surface; the pattern is formed entirely from coloured silk wefts woven into the silk ground, so the colour and lustre come from the silk itself.

Yes — both faces are finished and display-ready. Tanchoi is especially suited to this because its signature clean, float-free reverse means the back is itself a refined surface. One side shows the main pattern; the reverse offers a complementary version. This double-faced finish reflects how the cloth is woven.

Yes, entirely. It's handwoven on a traditional handloom in Varanasi — the coloured silk wefts are interlaced into the satin ground on the loom, not printed or applied afterward. Tanchoi is technically demanding, and a finely patterned piece takes considerable time at the loom. Power-loom imitations exist but lack the fineness, supple hand, and clean reverse of genuine Tanchoi.

Tanchoi is a fine silk brocade technique woven in Varanasi (Banaras). According to its widely told history, it reached India in the mid-19th century, when a Parsi merchant sent three weavers from Surat to China to learn satin-brocade weaving from a master named Chhoi — the name combines 'tan' (three, for the brothers) and their teacher's name. First woven in Surat, it later declined there and was revived by the weavers of Banaras, who made it distinctly their own.

Heavier Banarasi brocades like Kimkhab and Gyasar are built up with dense metallic zari, creating a raised, weighty, almost stiff cloth. Tanchoi instead draws its richness from coloured silk wefts woven into a satin ground — producing a smooth, flat, finely patterned surface that is much lighter and more supple. The pattern reads through colour and sheen rather than raised metallic relief.

With Tanchoi, the back of the cloth is the clearest tell. Genuine handwoven Tanchoi has a clean reverse with only very short thread floats, because the technique integrates the wefts into the weave — no long, loose trailing threads, even in complex designs. A printed or power-loom imitation shows hard-edged surface pattern, a blank or messy reverse, and lacks the same softness and drape.

Yes. Banaras Brocades and Sarees hold a Geographical Indication (GI) under Indian law, restricting the name to silk genuinely woven in the Varanasi region using traditional techniques. Tanchoi woven in Banaras falls within this protected tradition, and this piece is woven there. The GI exists to defend authentic Banarasi weaving against widespread power-loom imitations.

Dry cleaning is recommended for fine silk. Keep the cushion out of prolonged direct sunlight, which can fade silk over time, and avoid machine or hand washing, which can distort the weave and dull the sheen. Store flat or gently rolled rather than sharply folded. Cared for this way, it will hold its lustre for many years.

Each piece is handwoven in small quantities — there's no mass production, and the weaver's time and the specific silk colourways limit how many can be made. Once a colourway is finished or the weaver moves on, it isn't reproduced. Limited edition simply describes the reality of fine handweaving.

Beautifully. Banarasi silk carries deep ceremonial significance in India and has long been tied to weddings and important occasions, and Tanchoi in particular was prized by connoisseurs for its fineness. As a cushion it brings that heritage home as a refined, lasting object with a genuine story. It ships within 24 hours, arrives gift-ready, and is delivered with duties fully covered for recipients in the US and Canada.